Johanna Harcourt-Smith was 26-years-old when she met Timothy Leary. After Leary turned informant, she was branded a CIA-honeypot by Allen Ginsberg and shunned by just about everyone. For a time, most of the counterculture turned on Leary and his acid queen.
The primary person Leary ratted out was a lawyer named Michael Kennedy who’d engineered Leary’s prison escape through the terrorist Weather Underground. Leary was only told they “were political people,” not that they were terrorist bombers responsible for the death of a San Francisco policeman. The Weather Underground sought to use Leary as a publicity tool by sending him to Algeria to live with Eldridge Cleaver. They wanted to replay the film Algeria, which documented the success of a terrorist Islamic-Marxist revolution led by downtrodden Muslims, who had no rights in French Algeria. Hundreds of thousands died in their fight for independence, and the Weather Underground was envisioning a similar scenario in the USA, except led by middle-class teenagers. The real mission, however, was driving the left violent in order to marginalize and isolate it from the mainstream.
In 1969, Leary successfully legalized cannabis for a brief moment when he appealed a pot conviction all the way to the Supreme Court and won, so the antiquated 1937 Marijuana Tax Act had to be swiftly replaced by the Controlled Substances Act, which broadened the reign of terror on medicinal plants.
In 1987, when I arrived at High Times the entire editorial staff had recently been fired over the Christmas holidays. The magazine was teetering on insolvency and circulation had cratered. The advertising base consisted of two companies selling lookalike pills obviously intended to be sold as real on the blackmarket. Caffeine was likely the primary ingredient. The magazine had recently relocated to save money on rent, and the files that survived were in a shambles. There were no photo files, and no manuscript log for unsolicited articles. All unsolicited material disappeared into a black hole. The publisher was an accountant who kept the magazine running by cutting expenses. But the publisher turned out to be a puppet for lawyer Kennedy.
Tom Forcade had created a trust to gift the company to loyal employees in the event of his demise, but when Kennedy learned of this, he immediately engineered a trip to the bank vault where the document was stored, and wrote his name on the list of trustees, while promising to serve as “protecter” of the agreement.
Soon Tom was dead from a self-inflicted gunshot wound and Kennedy conspiring with Tom’s widow and family, including Tom’s lawyer uncle, the author of the trust. He was a former tank commander in WWII who’d been recruited into military intelligence. Employees began exiting en mass, mostly through sudden firings, but some because the thrill was gone. High Times became a treacherous environment run like an intelligence operation, where information was on a need-to-know basis.
Since the counterculture media had died or been co-opted by the 1980s, being put in charge of a nationally-distributed magazine represented a huge opportunity and I had no problem turning the financial situation around instantly just by upgrading the magazine’s content and focusing on celebrating the remaining counterculture, which included the Grateful Dead followers and Rainbow Family. One day A. Craig Copetus, one of the original High Times employees, visited the office. He seemed surprised to hear Kennedy had taken control. “Right before he died, Tom held a meeting and told us not to let Kennedy get control,” said Copetus. Obviously, Tom had second thoughts about that trip to the bank vault.
I sent a letter to Kennedy outlining my plans for creating universal, non-violent ceremonies that would focus on ending the drug war. I was already doing these cannabis-infused ceremonies in Amsterdam as part of the Cannabis Cup, as well as filming them, and felt a class-action lawsuit could be successfully mounted to protect hippies from persecution by claiming pot was a legitimate sacrament. To bolster these claims, I’d been accumulating evidence Zoroastrianism, the foundation for Judaism and Christianity, had originated as a cannabis cult, and the smoking bush of Moses was a reference to the inspirational power of cannabis. Despite offering a splendid opportunity for Kennedy to double-pay himself and get tremendous publicity for himself (and for the magazine), and increase sales, and especially because it would save countless thousands from jail and financial ruin, Kennedy never responded to the letter.
What Kennedy did instead is launch a series of campaigns to have me fired. A series of publishers were installed, all instructed to “start looking for a new editor.” Attempts were made to kill the Cannabis Cup, but I managed to offload that to Michael Esterson for a licensing fee. The agreement also kept videotaping alive as Esterson agreed to cover that cost. But as soon as the WHEE! festival became profitable, and Mountain Girl agreed to move the festival to her estate, Kennedy summoned me to his office, where he unexpectedly declared WHEE was dead. Kennedy informed me it was a huge waste of time and resources. Bolstering this lie required support from the publisher, who was Mike Edison at the time, who would soon be fired, and who later write a revenge memoir branding me as incompetent. Apparently, among my many crimes was believing the assassinations of the 1960s deserved further investigation, and that a group of teens from Marin had invented 420.
The next year, the trust dissolved and Trans High Corporation gifted to the employees. I was given some token shares along with a handful of other real employees, but Kennedy and Tom’s family held the majority. Kennedy moved into the High Times office and began running the operation into the ground. Meanwhile, I could never comprehend why Kennedy was so angry with me all the time since I’d been making him millions and sales sank without me at the helm. He was living on billionaires row on Central Park South, his summer residence was an ocean-front property in the Yale enclave in the Hamptons, and he also had a winter home in Palm Beach, as well as an estate in Ireland. I was a single dad living hand-to-mouth with two kids with a disabled wife to support at a different location, and just eking by thanks to the debates I was doing on college campuses against the former head of the New York DEA.
One day, I was summoned to Kennedy’s office where he introduced me to Buffalo Mailer, Norman Mailer’s son. Kennedy wanted Buffalo to provide some young energy to the aging editorial staff, so he was being installed as Executive Editor and I needed to introduce him to staff as if it was my idea.
The following day, I was again summoned to Kennedy’s office upon arrival in the morning, where a shame-faced Mailer held a copy of a just-released New York magazine, which contained an interview with Richard Stratton where he announced his next project: running High Times. Kennedy had made a secret deal with Stratton and Mailer was Stratton’s stalking horse. I felt sorry for Mailer, for allowing himself to be dragged into participating in a slimy hoodwink. At the editorial meeting later that morning where Mailer announced the real situation to the staff, only Natasha shed tears for me. The others were already angling for elevation on the masthead.
I was moved out of the office so as not to interfere with the transition. I could never understand why nobody wanted my participation as I’d always thought of magazines as a team effort, and the goal was assembling the best possible staff. My investigative journalism had been a significant part of the magazine’s success, so why wouldn’t that continue? Instead, my contribution was limited to a 500-word monthly column, for which I was paid a steadily dwindling salary.
One day I got an email from Johanna saying she wanted to talk. I’d believed the stories about her being a CIA agent, but I was having second thoughts about that, as well as the truth concerning Kennedy’s participation in the Weather Underground. I knew Bill Ayers remained a close friend since I’d recently edited Kennedy’s adopted daughter’s wedding video.
I soon began formulating my alternative history of the 1960s, in which Tim Leary and Charlie Manson are manipulated pawns deployed to de-tooth the counterculture. Knowing I was on treacherous ground, I sent an email to Kennedy requesting permission to interview Johanna. Strangely, I got a response right away, and it contained an emotional plea not to because the memories remained an open wound. That email was nothing like any other email I ever received from Kennedy. It wasn’t like him to show weakness.
Johanna died recently from breast cancer, but she was able to finally get her story out. She’d watched Wormwood on Netflix and felt compelled to contact the filmmaker, who’d instantly agreed to interview her. During the film, it becomes apparent Johanna felt she was being manipulated into Leary’s orbit and it was through surveillance on her that the CIA was keeping tabs on Leary. But she’d never been a knowing participant. And I believe this is the way a lot of intel operations work. Few have any clue to the unseen strings or who the puppet masters might be.
Johanna had become promiscuous at age 15, and a parade of powerful people connected to arms trafficking and illegal drugs soon became her friends and lovers. She became part of the Rolling Stones jet-setting entourage. At 26, she was likely nearing the end of a glamorous career as swinging super hottie, when Aleister Crowley devotee Anita Pallenberg (who’d inspired the Stones “Sympathy for the Devil” phase), told her to look up Leary because he was available and hiding out in Switzerland.
At their first meeting Leary pulled out Crowley Tarot deck.
I was disappointed the film never delved into whether Johanna could have been sold by her mother to the CIA as an MK/Ultra sex slave. She’d had a raging libido from the age of 15, and typically held at least eight males under her command at all times. The reason Wormwood resonated so deeply could have been because her role as an acid queen was ordained.
The sad truth about Leary is he was half-visionary and half-huckster. His first book on the psychedelic experience was based around the Tibetan Book of the Dead, magic incantations intended to lead the dying to nirvana, basically the same hoodwink MI6 operative Somerset Maugham deployed in the Razor’s Edge, in which the secrets of the universe are located in Eastern philosophies. Imagine leading people from India or China to adopt Catholicism as the true faith. Enlightenment is not like climbing a mountain. You don’t reach the top and become released from temporal bondage. There is no nirvana, no heaven, no hell, no eternal soul. You’re just replacing one Santa Claus story with another. The real secret to magic and religion is it only works on believers.
Strangely, the Weather Underground celebrated the Manson murders, and held Charlie up as a counterculture hero for “killing pigs.” They also celebrated Sirhan Sirhan for the same reason. Both Leary and Manson were held in isolation at the same prison, but their cells strangely located next door, allowing them to communicate.
“They took you off the streets so I could continue your work,” said Manson.
In the beginning all knowledge was occult, meaning “kept secret,” including mathematics, music, medicine, chemistry, astronomy, metallurgy and philosophy. Eventually, however, the sciences and the study of telepathy parted ways, the former being accepted into the national academies while the later confined to forbidden secret societies.
Cagliostro was making his living forging Egyptian art and amulets (which he no doubt represented as ancient and magical) when he met the beautiful 17-year-old Serafina and swiftly proposed. Soon, Serafina was dangled in front of a forger named Agliata, who agreed to surrender the secrets of expert forgery in exchange for a night or two alone with Serafina, to which Cagliostro readily consented.
The Count was also a talented composer who published an extensive array of sonatas and arias, as well as being fluent in many languages. Mostly, he was an expert in flattery and seduction.
Madame Blavatsky is a titan of Fundamentalist Occultism who died from the flu in London in 1891 at age 59. She was also one of the world’s greatest bullshit artists, and possibly an intelligence agent, like many other occult icons.
Although it’s obvious Blavatsky’s claims of magic powers were fraudulent, her basic message was actually a good one, as she sought to unite all religions, like Mani had done millennia before. She was obviously well-read in occult and Eastern religious traditions and freely incorporated elements from a wide variety of sources. The cleverly named National Socialist German Worker’s Party would lift her fascination with Tibet along with the swastika, although she’d appropriated that symbol from Jainism, the original religion of non-violence and “no gods.” Lifting symbols from other cultures while reversing their intended meaning is a magical trick.
Nicolas Flamel was a scribe, notary and bookseller in the late 1300s in Paris who grew immensely wealthy, eventually founding fourteen hospitals while donating handsomely to many chapels and churches. In the 1700s, several hundred years after his death, The Book of Hieroglyphic Figures appeared and purported to have been written by him. Its introduction described how for two guilders, the author purchased the Book of Abramelin the Mage, an unusual manuscript on tree bark written in a strange language by Abraham the Jew, an Egyptian magician. According to the book, the author decoded Abramelin’s formulas of magic and alchemy, learning the secrets of the philosopher’s stone, which accounted for his great wealth and success in life.
Forget about the phony DaVinci Code and numerous other rabbit holes. If you want to decode the real story of religion and magic, you first must expose the hoodwinks and then follow the trail to their source to expose the charlatan. (It’s interesting Flamel was turned into the world’s greatest alchemist when Francois Rabelais remains a better candidate for that throne, and actually did the necessary work.)
Somerset Maugham was well on his way to becoming a doctor when he published a novel and after the first edition sold out in a week, he chucked his career in medicine and evolved into the highest-paid author in England, forging a trail now ruled by J.K. Rowling. It wasn’t until recently that MI6 admitted Maugham was a spook.
When I think of Maugham, I picture him as Herbert Marshal, the English actor who played him in the original 1946 movie. Marshal captured Maugham’s homosexuality in a very understated and elegant manner, although he ignored his stuttering. But instead of conferring a path to enlightenment, the book and film led people away from it.
Sometime in the late 1500’s, an Arabic astrologer drew this portrait of the Devil (left). Note the position of the fingers on both the Devil’s hands, forming perhaps the first ever “Hail, Satan!”, a sign soon employed by Christians in Italy to ward off evil spirits for a few hundred years, and perhaps still in use in that form somewhere today.
Jinx would open and close every show by making the sign of the horns with both hands, arms crossed exactly as the image above. And Coven was getting some pretty high-profile gigs, opening for the Yardbirds, Alice Cooper and others. Far as I know, Jinx never revealed her inspiration for the sign, although she may have seen that image of the Devil from the 16th Century as she was quite studious in her investigations into the occult.
This story starts with Victor de Laveleye, a liberal Belgian radio host during WWII. On January 14, 1941, Laveleye urged his listeners to employ the letter “V,” and cited the words for victory in French and freedom in Dutch, both of which begin with “V.” I imagine the letter was soon painted in streets all over Europe as the magical antidote to the spreading Nazi sigil, the swastika.
